Current mood: YOU KNOW...
Category: YOU KNOW... Music
I'm trying...
Yes, I'm trying hard to return to my former work ethic of hard nosed reviewing, musical cock sucking and cynical slandering, but i think i'm undergoing my first job crisis point just now..
You know how it is: You get a new job and for the first few weeks you're overwhelemed by it: "FUCK!!" you think as you open a new box of paperclips "I love my job! It's SOOOO interesting and there's people here! And occasionally we talk!! And have you seen Jane/John at the water cooler. God s/he's hot!!" etc
Then, you go through a spell (usually (for me at least), between months 1 and 3) where you realise that despite all the promise and the apparent marvellousness it's just another friggin job! The paperclips are just normal paperclips and Jane/John is in fact a good deal rougher in every conceivable way than you're eyes had first thought...
And you have to get on with it and fake a smile, or leave and go back to your ten joints a day or your £2 bottles of wine and 12 hours of televised sport..
Well, my main problem with jobs has always been that I can't apply myself very well when this initial sheen goes and i end up back at home with the hangovers 'And you go out on your own and you leave on your own and cry and you lie and you want to die' (sic).
Yes. The longest I've had a job is 4 years and that was working on my nuclear book and i haven't even got paid for that fucker yet. Meanwhile, the longest normal paid job I've held is a miserly 6 months (to the exact day - one has to be symetrical if at all possible)
Basically, when push comes to shove in these situations, I fall over...
Anyway. I loved this music writing job to start with. People send you free Cds and you jump the queue to get into gigs, and women/men look at you as if you've suddenly grown a hotel called the 'Desirable Night' on the side of your face and everything is easy peasey...
Now, a few months on, I'm still enjoying all these things, but I'm starting to worry about my grubby little soul again. I worry about my soul far too much - it's what comes of a religious upbringing.
You see, I'm now having to bullshit on a regular basis or loose my jobs and more and more often i'm choosing to loose my jobs and therein lies the problem...
For example: I've just turned down a recommendation for a music PR job working for Shirley Bassey and Marillion.
Now, the idea sounded wonderful, but I've watched these PR people up close on more than one occasion and i haven't much liked what I've seen.
Sure, on the outside PR types are nearly always beautiful and wonderful people. In fact I became briefly obsessed with this tall and slim black haired PR girl when I was watching Mika perform for the Culture Show. I was following her around the room like she was Bill Drummond and Gandhi in one and I was imagining going to Elton Johns birthday party with her on my arm and it was a beautiful, beautiful fantasy...
But when you touch base, you know she's gonna hate her job and the smile is fake and she's got the makings of a good coke habbit and then she'll leave you for the drummer of The Fratellis and you'll get a coke habbit to try and impress her back and then you'll start flirting with the bass player of The Fratelli's etc etc...
Well shit I might never have got this particular job, but whereas I wouldn't mind saying or doing whatever Shirl tells me too do (with bells on), Marillion would be a different matter..I've heard their album and it's not good, but the PR people have to say
"Please don't pre-judge Marillion before giving this album a fair listen. I can honestly assure you that there are some seriously great tracks on it, such as 'See It Like A Baby', 'Faith' and 'The Last Century For Man"
No shit! This is cut straight from the press release and I did what it said and listened with open ears, but the album and these songs are about as far away from great as pigs are from goldfish...
Shit, I can't be a PR man and this is essentially what the job of a music writer is in this guff and spin infested time. PR is a mugs game, no matter how you look at it...
One other wierd thing I've noticed about doing music writing is that people are now seeing me differently to how they were before i started.
As I've pointed out on my profile, I'm doing this for 2 years and 3 days to get a little verve and confidence back on my writing after bashing my head against the wall with the forementioned nuclear book. I am definately not and don't ever want to be a critic or a music writer forever and when my internship's up, I'm going to go back to creating and recreating myself and to hell with the consequences...
But for now and for obvious reasons, music 'creative' business decision people are seeing me as one of them! And some bands and artists are seeing me as one of the evil fuckers who makes or breaks their dreams and I couldn't give a fuck for that sort of role quite frankly..
I'm not naive and my xperience up to now means I know all too well how this creative business model works and it's ugly: I took 150+ rejection slips /letters /phonecalls /emails and I know it's all a part of the game and it will always be that way no matter how much Alan 'CHE GUEVARA CHUCK D' McGee trumpets the many 'radical changes' of myspazz - I also know which side of the fence is greener...
Anyway....I'll stop rabbiting and rambling on about my soul and it's discontents for now and try and force myself into a good days work for a good days no pay..
Don't fret Marcelo, your review is gonna be happpening and I'm gonna write beautiful things about your bass booty music and your consumate musical skill. And Horton, I've chased the Frink people up, they've taken their hands off their ears and 'the stars' review will be up shortly on frinkmsuic.com and the single review on CD times...
RARARARARARRRRRRRRRRRRRRRR!!!!
| Currently listening : The Sunlandic Twins By Of Montreal Release date: By 12 April, 2005 |
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